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Alfred Sisley Sisley Alfred oil painting


Sisley Alfred
Painting ID::  70198
Alfred Sisley
Sisley Alfred
Medium oil on canvas Dimensions 054 X 73 cm

   
   
     

Alfred Sisley Church at Moret after the Rain oil painting


Church at Moret after the Rain
Painting ID::  70201
Alfred Sisley
Church at Moret after the Rain
Medium Oil on canvas Dimensions 73 X 60,5 cm

   
   
     

Alfred Sisley Die Seine bei Bougival oil painting


Die Seine bei Bougival
Painting ID::  70316
Alfred Sisley
Die Seine bei Bougival
Medium Oil on canvas Dimensions Deutsch: 45 X 61 cm

   
   
     

Alfred Sisley Inondation a Moret oil painting


Inondation a Moret
Painting ID::  71795
Alfred Sisley
Inondation a Moret
Date 1879(1879) Dimensions 54 x 71.8 cm (21.26 x 28.27 in)

   
   
     

Alfred Sisley La Seine a Bougival oil painting


La Seine a Bougival
Painting ID::  73009
Alfred Sisley
La Seine a Bougival
"La Seine X Bougival (The Seine at Bougival)," oil on canvas, by the French painter Alfred Sisley. 20 in. x 25 13/16 in. Yale University Art Gallery, gift of Henry Johnson Fisher, B.A. 1896. Courtesy of Yale University, New Haven, Conn. cjr

   
   
     

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     Alfred Sisley
     French 1839-1899 Alfred Sisley Galleries Alfred Sisley (October 30, 1839 ?C January 29, 1899) was an English Impressionist landscape painter who was born and spent most of his life in France. Sisley is recognized as perhaps the most consistent of the Impressionists, never deviating into figure painting or finding that the movement did not fulfill his artistic needs. Sisley was born in Paris to affluent English parents; William Sisley was in the silk business, and his mother Felicia Sell was a cultivated music connoisseur. At the age of 18, Sisley was sent to London to study for a career in business, but he abandoned it after four years and returned to Paris. Beginning in 1862 he studied at the atelier of Swiss artist Marc-Charles-Gabriel Gleyre, where he became acquainted with Fr??d??ric Bazille, Claude Monet, and Pierre-Auguste Renoir. Together they would paint landscapes en plein air (in the open air) in order to realistically capture the transient effects of sunlight. This approach, innovative at the time, resulted in paintings more colorful and more broadly painted than the public was accustomed to seeing. Consequently, Sisley and his friends initially had few opportunities to exhibit or sell their work. Unlike some of his fellow students who suffered financial hardships, Sisley received an allowance from his father??until 1870, after which time he became increasingly poor. Sisley's student works are lost. His earliest known work, Lane near a Small Town is believed to have been painted around 1864. His first landscape paintings are sombre, coloured with dark browns, greens, and pale blues. They were often executed at Marly and Saint-Cloud.

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